Death Cab for Cutie is not a new band for sure. Their first release was way back in 97. Why then review this album now? Yes, why then Megha. Why? Well, when this band first came out, I did not have this medium to express my reverence. The same is the case with many other uber-cool bands, as you shall soon find out when I review them aeons after their conception and/or death (memo to self: must review Joy Division).
See the best thing about the alternative music band Death Cab for Cutie is the fact that it is an in fact an alternative music band (scoff at the name you metal maniacs. That is what you do. As if Anathema is not sad). Had it been something else, say for example, a bunch of statisticians or something equally boring then I doubt if it would have been able to get anything sorted for us alternative slugs.
I remember saying – Oh my God, they are good – the first time I heard them being played on a popular underground and alternative online radio channel. I could tell the band apart from the other contemporary underground bands being played at that time.
I think one of the first DCFC songs that I heard was We Looked like Giants. The songs lyrics are embellished with tiny bits of nostalgia. The song goes from talking about things discovered as teenagers (When every Thursday/ I’d break those mountain passes/ you’d skip your early classes and we’d learn how our bodies worked) and works it way to describing the tumultuous events that when thrown together chronologically become life or something like it (God damn that black night/ with its foul temptation/I’d become what I always hated). If I had to use just two words to underline the main aspect of the song, I would say, for the lack of better words – Strong Lyrics. That really is the USP of this song. I am not in any way trying to undermine the musical aspect of the song. The piano solo towards the end, if not mind blowing, is definitely soothing. Very fittingly placed towards the end of the song, it provides the perfect background score while you are lost thinking about your salad days and the farrago of things that followed thereon. All that coupled with grey guitar notes makes for an excellent listenining time. I wish DCFC did more songs in the style of Giants.
Just a few days ago I was thinking that had there been a song writing contest where the participants were required to unprosify totally random and inane things then I think DCFC would have emerged as the clear winners. I mean who else can come up with a song titled Crooked Teeth and then beautifully incorporate that into the lyrics of the song as well (coz that night the sun and the tree/made the skyline look like the crooked teeth/in the mouth of the man who was devouring us both)? The second place would have gone to Zero 7 for Somersault. No points to The Charlatans for Come in Number 21 even though it is a totally fantastic song!
Soul Meets Body from 2005’s Plan is a slight detour from their signature style. The tune is okay at it’s very best. Lyrics – mediocre affair indeed. The funny thing is that I wasn’t able to figure out the actual tempo of the song until I saw its video. The band members moving their heads about in a woodpecker fashion (they are the subtler cousins of heavy metal head banging hawks) while playing the guitar give the impression that the tempo of the song is indeed higher than what you might have initially made it out to be. Funny that. I like the song anyway. I do have this tendency to go substandard sometimes.
I love the song The New Year taken from the same album as We Looked like Giants – Transatlanticism. It is like We Looked like Giants part 2. Although it is talking about something totally different but the total effect of the song is similar. I have to say that I am eagerly waiting for more stuff like that from Transatlanticism.
Meanwhile the discography:
1997 You Can Play These Songs with Chords
1. President of What?
2. Champagne From A Paper Cup
3. Pictures in an Exhibition
4. Hindsight
5. That’s Incentive
6. Amputations
7. Two Cars
8. Line of Best Fit
1998 Something about Airplanes
1. Bend to Squares
2. President of What?
3. Champagne From a Paper Cup
4. Your Bruise
5. Pictures in an Exhibition
6. Sleep Spent
7. Face that Launched 1000 Shits
8. Amputations
9. Fake Frowns
10. Line of Best Fit
2000 We Have the Facts and We’re Voting Yes
1. Title Track
2. The Employment Pages
3. For What Reason
4. Lowell, MA
5. 405
6. Little Fury Bugs
7. Company Calls
8. Company Calls Epilogue
9. No Joy in Mudville
10. Scientist Studies
2001 The Photo Album
1. Steadier Footing
2. A Movie Script Ending
3. We Laugh Indoors
4. Information Travels Faster
5. Why You’d Want To Live Here
6. Blacking Out The Friction
7. I Was A Kaleidoscope
8. Styrofoam Plates
9. Coney Island
10. Debate Exposes Doubt
Limited Edition Bonus Disc
1. 20th Century Towers
2. All Is Full Of Love [Bjork]
3. Stability
2002 You Can Play These Songs With Chords Re-Release
1. President of What?
2. Champagne From A Paper Cup
3. Pictures in an Exhibition
4. Hindsight
5. That’s Incentive
6. Amputations
7. Two Cars
8. Line Of Best Fit
9. This Charming Man [The Smiths]
10. TV Trays
11. New Candles
12. Tomorrow
13. Flustered / Hey Tomcat
14. State Street Residential
15. Wait [Secret Stars]
16. Prove My Hypotheses
17. Song For Kelly Huckaby (facts version)
18. Army Corps Of Architects
2003 Transatlanticism
1. The New Year
2. Lightness
3. Title and Registration
4. Expo ‘86
5. The Sound Of Settling
6. Tiny Vessels
7. Transatlanticism
8. Passenger Seat
9. The Death Of An Interior Decorator
10. We Looked Like Giants
11. A Lack Of Color
2005 Plans
1. Marching Bands of Manhattan
2. Soul Meets Body
3. Summer Skin
4. Different Names For The Same Thing
5. I Will Follow You Into The Dark
6. Your Heart Is An Empty Room
7. Someday You Will Be Loved
8. Crooked Teeth
9. What Sarah Said
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